Author Archives: Barbara

The best moments of the Golden Globes 2018 gala

The Gala of the 75th edition of the Golden Globes has not stood out for any time outside of the expected. It has worked well, with a good start marked by the comedian Seth Meyers and a couple of exciting moments, with a spontaneous tribute to the centenary Kirk Douglas and the expected recognition of Oprah Winfrey, the first black woman to receive the Cecil B. DeMille award. all his career. And he has not missed the opportunity to give one of those vindicating speeches that mark time .

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The monologue of the beginning of Seth Meyers

“Good evening ladies and gentlemen stay” here you can download free online moviesThis is how the humorist Seth Meyers began his  monologue at the beginning of the gala. Direct to the subject that flies over Hollywood three months ago when the news of the sexual abuse of Harvey Weinstein jumped . “Do not worry, he’ll be back in 20 years when he becomes the first person to be booed in the video In Memoriam[remembering the deceased], “Meyers said, and several boos were heard in the hall.” Exactly this is going to sound “, the presenter responded quickly.” It will be the first time in three months that the men present in this room do not tremble to hear his name in public, “Meyers said Of course, the name of Kevin Spacey has also flown over the room The monologue has ended with Meyers starting to tell a joke that several famous performers have topped since The first two were anti-chaotic and anti-racist jokes, and the third was the gag that Meyers and the humorist Amy Poehler have mounted about mansplaining (when a man explains something to a woman without knowing if he already knows it). a condescending and patronizing tone).

In black

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The initiative of the legal defense fund Time’s Up  Golden Globe goers dressed in black in protest against sexual abuse and discrimination in Hollywood has been the big hit of the night. Almost all the attendees have dressed in black and have spoken on the subject, first on the red carpet and then throughout the ceremony. And they have also worn badges. A phrase by Seth Meyers addressed to women has also set the tone: “I am looking forward to the next thing you are going to lead us.” And a sentence by Natalie Portman has ended the night: “These are the directors, all men, candidates tonight”. Barbara Streissand, who has gone on to present the Best Film Award, recalled that she has been the only woman to win the best director award in history.

“Thanks, Oprah”

“If I had to say a single word about Oprah, it would be” thank you. “This is how Reese Witherspoon presented Oprah Winfrey, who received the Cecil B. DeMille award.throughout her career, becoming the first black woman to achieve it. And Oprah, true to herself, has not wasted the opportunity to give one of those speeches that make history. Sexual abuse, inequality and racism have centered this discourse. And he has remembered the story of Recy Taylor, a black woman raped in 1944 in Alabama by five white men and who died late last year. “He lived in a time when women were not believed.” “For too long, women have not been heard or taken seriously if they dared to tell the truth about the power of these men, but their time is over.” “Talking about the truth … this is the most powerful tool we have, I am inspired by women who have been brave and have talked about their stories.

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Oprah has also directed her speech away from the focus of Hollywood, towards all the anonymous women who suffer abuses: “I want to give my gratitude to all the women who have endured harassment and mistreatment, they are women whose names we will never hear”. Winfrey has closed her speech bluntly: “I want all the girls who are watching us to know that there is a new day on the horizon, and when that day finally dawns, it will be because a lot of magnificent women, many of whom are Tonight in this room and you can watch free movies online, they fought hard to make sure they are the leaders that will take us to a time when no one has to say “me too” again.

James Franco

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The prize for best actor in a comedy or musical has been for James Franco for his performance in The Disaster Artist , where he gave life to the director Tommy Wiseau, who supposedly directed one of the worst films in the history of cinema ( The Room , 2003) . Wiseau is one of the most enigmatic characters in Hollywood and tonight has had his five seconds of fame when Franco has invited him to take the stage to share the prize with him, not the microphone. When Wiseau has gone to speak, just up, before Franco said anything, the actor has told him to shut up and put him aside. And Franco has become there, perhaps, the first actor to read his message of gratitude directly from a mobile phone.

The 101 years of Kirk Douglas

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The great ovation of the night was for the centenary Kirk Douglas ( who just turned 101 ), who has gone on stage in a wheelchair accompanied by Catherine Zeta Jones to present the award for Best Screenplay. Zeta Jones has presented her father-in-law and Douglas has said a few words with some difficulty, but Zeta Jones has managed to get out of step giving way to the announcement of the candidates of the category.

Movies that you thought were amazing at the time and today you would deny them

The relationship of the public with the cinema, as happens with the first love, implies several obstacles until finding true love. And reuniting with your favorite movies of youth has, sometimes, the same effect as having a coffee with your first partner: you no longer have anything to talk about, you barely understand why you fell in love with it and, above all, you remember why you broke These 16 films were erected as contemporary classics, but they are not as good as we thought

1.Donnie Darko (Richard Kelly, 2001)

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What we thought at the time. A suggestive nightmarish allegory about the inner monsters and the lightness that supposes maturing with a conflict rooted in the subconscious for movie download free. Come on, we did not understand it.

What it really is.Donnie Darko‘ is the film adaptation of that friend who, in the middle of a party, starts explaining David Lynch’s films without you having asked. A pretentious and gimmicky film that knows that the less people understand it, the more cultured it will awaken. Since then, his director has made two films (‘Southland Tales’ and ‘The Box’) that make it clear that he did not understand ‘Donnie Darko’ either.

2. ‘Interview with the vampire’ (Neil Jordan, 1994)

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What we thought at the time. A luxurious baroque, sensual and bloody production that brought together the most charismatic stars of the moment (Tom Cruise, Brad Pitt and Antonio Banderas) with Christian Slater.

What it really is. A depressing nonsense that has no argument (basically it’s about sad vampires arguing and stopping the dishes) and where the real movie happened behind the scenes: Cruise (who hired an assistant whose only job was to make sure the The blond of her eyebrows was matching her wig’s) eliminating the interesting phrases of Pitt’s character so that it would not overshadow her, Kirsten Dunst disgusted by having to kiss Pitt when she was convinced she had lice, Slater replacing the deceased River Phoenix two weeks to start shooting and Brad Pitt trying to break his contract because he hated every minute of filming.

3 .’Indiana Jones and the cursed temple’ (Steven Spielberg, 1984)

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What we thought at the time. In the ’80s, anything with Indiana Jones was better than anything without Indiana Jones. This second part, in addition, was the favorite of the kids because things do not stop happening, Indy is a friend of 10 years and the plot is so simple that you can continue while playing with a Rubik’s cube.

What it really is. A pastime with which Spielberg fulfilled his dream of directing a James Bond film (the prologue), he relaxed as he prepared his first great drama (‘The Color Purple’) and whose female character he himself confessed represented his frustrations during his divorce: Kate Capshaw (coincidentally, his second wife) spends two hours screaming. The plot accumulates persecutions, but none ends up going in any direction.

4.’The piano’ (Jane Campion, 1993)

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What we found at the time. A work of poetic art about the indomitable heart of a lady oppressed by her muteness, her husband and her petticoats.

What it really is. A beautiful photograph and a romantic soundtrack that made ‘The Piano’ look like a breathtaking love story when in fact it’s about two people who can not stand each other, but they understand each other phenomenally in bed. The now pitiful Harvey Weinstein, his distributor, orchestrated a campaign focused on women’s empowerment and took effect: he won three Oscars for his three women, Holly Hunter (best actress), Anna Paquin (high school) and Jane Campion (screenplay). Neither the film nor its plot nor its characters had any coherence, but ‘The piano’ became fashionable and nobody wanted to ask a pertinent question: is it really good or just has a lot of fog?

5.’Memories of Africa’ (Sydney Pollack, 1985)

What we found at the time. A majestic romantic epic of those that are no longer done, designed so that each scene reawakens two reactions in the middle-aged viewer: “what a beautiful photograph” and “you have to see how well this woman works” (ie, Meryl Streep).

What it really is. Well 160 minutes that look 160 years. Filming took place in Africa and in Hollywood that can only mean one thing: that they were going to teach us from top to bottom. The captivating aerial planes of the landscape transport us to the wild nature (when it was released, the average viewer did not have access to such exotic trips), which turns ‘Memories of Africa’ into the first film adaptation of a postcard. And it’s as boring as looking at a postcard for 160 minutes.

6.’Desperado’ (Robert Rodriguez, 1995)

What we thought at the time. They sold us that Quentin Tarantino, fresh out of ‘Pulp Fiction’, was co-author, but all he did was play a secondary character whose monologue, of course, he wrote. Banderas gave it all, there were many shots and Salma Hayek sexually woke up a whole generation of teenagers.

What it really is. The culprit of the birth of a subgenre that we still suffer: fantasies perpetrated by a director who has given a couple of millions to run a party with colleagues in the desert and in which women are treated as porn magazines in movement. Most of these films (all of Guy Ritchie’s, for example) at least have hectic dialogues. ‘Desperado’ or that. It’s not a movie, it’s a bachelor party with blank guns.

7.’The Endless Story’ (Wolfgang Petersen, 1984)

What we found at the time. A fantasy filled with magic, adventures and a flying dog. For the ten-year-old kids, who were the cinephile’s equivalent to a magpie because we only demanded that the movies have brilliant things, it was more than enough to crown her as our favorite movie in the world for a whole winter.

What it really is. A tacky, which may sound redundant because in the 80 everything was a tacky, but this in particular also went out of fashion in real time as it happened to all the fantasies of the time (‘Legend’, ‘Lady Hawk’, ‘The immortal ‘) that were not’ Inside the labyrinth ‘. Emotionally coarse (a horse drowning in a swamp!), Narratively null and with an irritating protagonist. And the flying dog turned out to be a dragon. All are disappointments with ‘The Endless Story’.

8.’The reborn’ (Alejandro G. Iñárritu, 2015)

What we found at the time. A technical feat shot with natural light, in subhuman conditions and with overwhelming sequence of battles. And we thought that because his Oscar campaign made sure to remind us every day for months through reports, interviews and videos: anything as long as there was not talk about … the movie.

What it really is. ‘The reborn’ is what the most intellectual critics call “a tostón”. So obstinate in rubbing her technical prodigies that even the Oscars gave her a second consecutive award to Iñárritu and a victory of Leonardo DiCaprio that they had owed her for years, but that was a bit lackluster because, as Joan Crawford had told Bette Davis in ‘ Feud ‘, “they do not reward you for how well you do it, but because they notice how hard you try.”

9.’Requiem for a dream’ (Darren Aronofsky, 2000)

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What we thought at the time. A visceral, agonizing and traumatic film exercise with a soundtrack capable of pushing you into madness if it catches you in a low mood day. And the movie everyone was talking about in the university cafeteria.

What it really is. The American director Darren Aronofsky is a genius. ‘Requiem for a dream’ is the quintessence of those films that “I liked a lot, but I do not intend to ever see” and that plays very much in her favor. The fact that nobody repeats has preserved it in a privileged memory of the collective imagination, because its last 20 minutes are so suffocating that the spectator does not process it, it ends up stunned and confuses the relief that the cinematographic quality is over: we never liked, but we were victims of the Stockholm syndrome. And the happy soundtrack has ended up accompanying from election polls to soccer reports.

10.’Up’ (Pete Docter, 2009)

What we thought at the time. Phrases and headlines that were said when 123vidz it was released, in 2009: “Pixar does it again”, “they have no rival”, “the best Pixar movie to date”, “it is of drawings, but it is also for adults”, “I’ve remembered a lot about my grandfather.”

What it really is. The ten most amortized minutes in the history of cinema. The moving portrayal of a lifetime of love and adventure with which he opens the film grabbed the heart of the audience and, as is customary at Pixar, made him feel things he did not know he had inside. But those masterful ten minutes do have a name: short film. Because the remaining 80 are a succession of characters stumbling over things and an “improbable friendship” that we have been seeing in animated films since Pinocchio met Pepito Grillo.

11.’Top Gun’ (Tony Scott, 1986)

What we thought at the time. The movie that was the coolest in the world. Tom Cruise made fashionable the aviator glasses (as the ‘way-farer’ had made three years earlier in ‘Risky Business’) and the male friendship showed that it could be sensitive: here the ‘bromance’ was born.

What it really is. A movie that changed Hollywood. His mammoth box-office success proved that films should not necessarily be a story but could also be a product. The brand? U.S. The ingredient? Adrenalin. The objective? Awaken feelings (narratives at all) of patriotic exaltation, hyperbolic but accessible masculinity and desire to enlist in the army. And therefore it was shot like an advertisement for beer, jeans or sunglasses. A contagious euphoria that hides that ‘Top Gun’ does not intend to be a real movie because what he wants is to sell a concept. We’ll see if the sequel, premiere in 2019, gets us to buy it again.

12.’How beautiful it is to live!’ (Frank Capra, 1946)

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What we thought at the time. A box office failure converted into a television classic thanks to the tradition of seeing her as a family every Christmas, recovering her faith in human kindness.

What it really is. A manipulative parable in which the good (Jimmy Stewart) suffers because he wants to grant loans to all the villagers without checking their endorsements (which is the cause of the current economic crisis) and in which the bad guy is a heartless caricature and , simply, a prudent businessman who refuses to grant these loans to people who will not be able to pay them. Both are diehard capitalists, but the hero is also a fool. But ‘How beautiful it is to live!’ She is so well intentioned that criticizing her makes you look like a villain. It is a perfect strategy.

13.’Reality Bites’ (Ben Stiller, 1994)

What we found at the time. Finally a film that gives voice to the misunderstood generation X. Let’s see what they have to say! “Welcome to the winter of our discontent”. Oh, okay.

What it really is. Hollywood set a trap for Generation X, leaving them like little boys unable to get off the couch because everything seemed prefabricated and they were looking for something authentic. What they were not looking for, apparently, was work. His characters are supposedly brilliant because they tell each other, but at no time do we see any sign of that genius. The film is rounded off as a perfect metaphor when, after spending 90 minutes ridiculing romantic comedies, ends with the boy (Ethan Hawke, carefully disheveled) presenting himself at the girl’s house (Winona Ryder, calculatedly pizpireta) to declare his love. But let it be clear that they are not like the others.

14.’Breakfast with diamonds’ (Blake Edwards, 1961)

What we thought at the time. The majority of the audience remembers her as two hours of Audrey Hepburn dressed by Hubert de Givenchy and eating ‘croissants’ in front of the Tiffany’s jewelry showcase.

What it really is. It’s better bag than movie. Rampantly superficial for the tortuous story that really counts (or, rather, that does not count), offers a tedious succession of comic sketches without really knowing what movie it wants to be. He relies too much on the charm of Hepburn and the melancholy that evokes ‘Moon river’, a song that sounds twelve times. Mr. Yamamoto, played by a Mickey Rooney made up and exploiting all the Japanese stereotypes and inventing new ones, is the most racist thing that Hollywood has done, because it is embarrassing and unnecessary. And it’s not even fun.

MUSE, THE NEW CINEMATIC JEWEL OF THE DAD OF REC

Horror film fans have already been taped by one of the works of the producer, Jaume Balaguero , with the movie “Rec“. Many will be delighted to hear that the producer is back with a new film called Muse .

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The DVD release for download afdah movies is scheduled for April 4. The film is a Gothic thriller and tells the story of a professor of literature who is consumed by a supernatural mystery involving seven mythological muses. Muse is the film adaptation of José Carlos Somoza’s novel “The Lady Number Thirteen“, and critics say it’s a film you should not miss.

Muse is the third English language film directed by Jaume Balagueró, after the films Darkness in 2002 and Fragile in 2005.

Muse: a horror film as we like them

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Muse tells the story of Professor Samuel Solomon, who lives in Dublin and whose girlfriend was brutally killed. When he reads a document about the ritual murder of a young woman, exactly the same way he has dreamed about it many times, he feels compelled to investigate.

It was during his investigation that Samuel’s path crossed that of Rachel, a prostitute who had similar visions. Together, they are investigating a clandestine organization known as the White Ring. They will then face terrifying and dangerous beings who are none other than the Muses.

The critics of the film

This new film seems at first gather all the essential criteria to make a good horror film for free online movie stream.Compared with its predecessor, the film is certainly less scary, but it’s more captivating. Far from being gore and bloody, Muse has been designed to create a feeling of almost obsessive anxiety among viewers.

The movie would be perfect for those looking for thrills. Fans should also realize that the producer has used his previous experiences to produce a more elaborate and detailed work.

Back on the Guillermo del Toro filmography: a cinema with a generous universe

The Mexican director of Mexican origin has earned the consecration with his latest feature film The Shape of Water. Back on a career monster, both rich and complex.

Beliefs and Universe

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It is in Mexico that Guillermo Del Toro grew up, raised by his grandmother, a very strong matriarchal figure. Bathed in the Catholic faith, he quickly became a 123free movies buff thanks to his relationship with his uncle. This last makes him discover among others the cinema of terror. Early on, the boy falls in love with science fiction, gothic works, monsters and all that surrounds the occult. Convinced to have met a ghost at the untimely death of his uncle, this belief will never leave him. The young man begins to collect all sorts of images and oddities coming to feed his cabinets of curiosities. In notebooks, he draws and takes notes mixing his projects, his discoveries and his life. And it is in this that Del Toro stands out throughout his career:

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First of all a specialist in special effects and an almost pictorial treatment of staging, he stands out in the creation of monstrous creatures in short films like Geometrica and his first feature film Cronos, in 1993. With this film he already embarked on actors who will be dear to him later namely Federico Luppi and Ron Perlman. Recognized in Mexico, this first success then opens the doors of Hollywood. He then realizes Mimic, but unfortunately, it is also for him the disillusionment of the Hollywood system. Its producer Weinstein directs the project to a sensational action film that will spoil Del Toro’s thinking and vision. An evil for a good, the Mexican strengthens his convictions and will become intractable thereafter.

Blade II movie: the basis of superhero movies (2002)

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It is a real challenge that must be faced by Del Toro to realize the continuation of a big movie of action acclaimed by the critics and the public. Blade II, released in 2002, is experimental: it is a re-appropriation of comics books well before the mass arrival of Marvel films that we know today. The staging is crazy, the battle scenes are choreographies and the different angles chosen for the action really succeed in translating the boxes of the comics. With Wesley Snipes having knowledge of the body language of Hong Kong action movies and Ron Perlman to embody the villain, the director has managed his bet. He gained credibility and showed that he was able to make a blockbuster that does not lack originality. Blade II can, just like Matrix before him,

Hellboy: reinventing a hero (2004)

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Now it’s time for him to embark on a project he has been thinking about for several years with Ron Perlman headlining: Hellboy. Hellboy gets funding from Revolution Studio, bringing it to a comfortable budget of $66 million for free movie streaming of such ambition, it remains shy. Del Toro has more than one trick in his bag and plays the thrifty: he reduces the special effects by preferring the latex and multiplies the appearances of the same monster. Imagined in 1998, the adaptation of Mike Mignola’s comics is released in theaters in 2004. Well received, it is not a big hit at the box office. His suite, finalized in 2008, is however supported by Universal who thinks to have found in Guillermo Del Toro the ideal man to revive Universal Monsters, alongside The Mummy or Van Helsing.

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This second episode is probably that of maturity for the director. The geek is more comfortable in the staging and even shows boldness with a sequence shot during the introduction of the characters. As always, Del Toro succeeds in imposing his vision and asks us to go directly into a fantastic world, far removed from our contemporary reality. And unlike the majority of Marvel films, Hellboy refuses to achieve too smooth and prefers not to be limited in explosion and violent scenes. A third installment could have emerged, but as you know, it’s a reboot without Del Toro that was started. Perlman saw himself too old to embody the beast, but had finally changed his mind; It is Mignola, rather unhappy to see his work escape him who would have refused a continuation.